Cleansing the Doors of Perception
The way we see the world depends on who we are. On the simplest level,
a child walking down the street will readily spot all the toy stores,
a penny-wise mother will see all the bargains displayed in shop windows,
an architect will easily notice unusual buildings, and a taxi driver will
be quick to spot house numbers. In each case, perception is selective,
depending on the person's interest and attention. This extends to more
significant aspects of life as well, such as our attitude to relationships,
morality, work, leisure, health, sickness, pain, death, and the great
beyond. These attitudes are shaped by all kinds of factors, karmic conditioning,
as the Tantric scriptures would insist, being the most influential one.
We are shaped by our past choices, which is the same as saying that we
are creatures of habit. In yogic terms, our thoughts and actions for the
most part follow the path of least resistance. That is to say, they are
overdetermined by the energetic template of the subtle body. This explains
why it is so difficult to change our behavior even when we have realized
that our old patterns are wrong, unproductive, or damaging. Hence, in
addition to behavioral change, the Tantric practitioners attempt to modify
the pathways of the life force directly. This modification is a matter
of cleansing the nadis-a practice called nadi shodhana
As noted in the previous chapter, in the ordinary individual the energy
currents exist in a state of relative defilement. They are not fully functional
and therefore impede physical well-being and spiritual growth. The Tantric
adept's specific goal is to open the central channel so that the life
force can flow freely through it and, in due course, entice the far greater
energy of the kundalini to follow suit.
Without prior cleansing of the nadi system, it is not only impossible
to raise the serpent power (kundalini-shakti) along the axial pathway
but also very dangerous to attempt to do so. For, instead of entering
the central channel (sushumna-nadi), it is likely to force itself
into the ida- or the pingala-nadi on either side of the
central channel, causing immense havoc in the body and mind. This is what
happened to Gopi Krishna during his spontaneous kundalinī awakening,
and his gripping account of the physical pain and mental anguish resulting
from it stands as a timeless warning to all neophytes dabbling with the
serpent power, or Goddess energy. He wrote:
My face became extremely pale and my body thin and weak. I felt a distaste
for food and found fear clutching my heart the moment I swallowed anything
. . . My restlessness had assumed such a state that I could not sit
quietly for even half an hour. When I did so, my attention was drawn
irresistibly towards the strange behaviour of my mind. Immediately the
ever-present sense of fear was intensified, and my heart thumped violently.1
He further described how the kundalinī caused tremendous heat
in his body "causing such unbearable pain that I writhed and twisted
from side to side while streams of cold perspiration poured down my face
and limbs."2 He continued:
There were dreadful disturbances in all the organs, each so alarming
and painful that I wonder how I managed to retain my self-possession
under the onslaught. The whole delicate organism was burning, withering
away completely under the fiery blast racing through its interior.
I knew I was dying and that my heart could not stand the tremendous
strain for long. My throat was scorched and every part of my body flaming
and burning, but I could do nothing to alleviate the dreadful suffering.
If a well or river had been near I would have jumped into its cold depths,
preferring death to what I was undergoing . . . I racked my distracted
brain for a way of escape, only to meet blank despair on every side.
The effort exhausted me and I felt myself sinking, dully conscious of
the scalding sea of pain in which I was drowning.3
Other similar cases have been reported in the literature. The American
psychiatrist Lee Sannella, one of the first members of the medical establishment
to make an unprejudiced attempt at understanding the kundalini
phenomenon, has suggested that the blockages in the energetic field are
"stress points." As he explained in his widely read book The
Kundalini Experience:
In the course of its upward motion, the kundalini is held to encounter
all kinds of impurities that are burned off by its dynamic activity
. . . In particular, the Sanskrit scriptures mention three major structural
blockages, known as "knots" . . . We can look upon these blockages
as stress points. Thus, in its ascent, the kundalini causes the central
nervous system to throw off stress. This is usually associated with
the experience of pain. When the kundalini encounters these
blocks, it works away at them until they are dissolved.4
Sannella's statement holds true only in cases where the kundalinī
has been prematurely or wrongly aroused, that is, in the absence of adequate
preparation. The Tantric scriptures emphasize the need for thorough groundwork
prior to adopting any practices that aim at awakening the serpent power
directly. As the fourteenth-century master Svātmarāma states, the kundalini
"bestows liberation on yogins and bondage on the ignorant."5
A sharp knife in the hands of a skilled physician can save a life but
in the hands of a fool can do irrevocable harm. The kundalinī in
itself is neither good nor bad. It simply is the Goddess energy as it
manifests in the human body. Unless we consciously collaborate with it,
it remains on the most subtle level of existence, sustaining us through
the agency of the life force (prāna) but never entering our field
of awareness. Through self-purification and an appropriate course of disciplines,
we can benefit from it more immediately by inviting it into our life as
a powerful transformative force.
In its hidden state, the kundalini is said to be sheer potentiality.
This is only relatively correct, for the Goddess energy is always active
on our behalf, maintaining all the subtle energetic processes that underlie
our physical and mental structures and functions. In its awakened state,
however, the kundalini is an incredible agency of transformation,
spiritual growth, and at last enlightenment. As the Rudra-Yamala
(2.26.41) affirms: "The kundalini is ever the master of Yoga."
In the same scripture (2.26.21-22), the serpent power is called the "mother
of Yoga" and the "bestower of Yoga."
Various postures (asana) are said to effect the purification of
the conduits or channels (nadi). The Hatha-Yoga-Pradīpika
(1.39) singles out the adept's posture (siddha-asana) as being
particularly suited for this purpose, but other scriptures favor different
postures. The adept's posture is practiced by placing the left heel at
the rectum and the right heel above the genitals, while resting the chin
on the chest and gazing at the spot between the eyebrows. Sometimes the
position of the legs is reversed. The potency of this very popular posture
derives from the fact that it balances the subtle energies and thereby
awakens the serpent power.
While postures like the siddha-asana are important, the principal
means of cleansing the channels is controlled breathing, as it has been
elaborated in great detail in the scriptures of Hatha-Yoga. The Gheranda-Samhita
(5.36) distinguishes between two basic types of purification practices:
samanu and nirmanu, which terms denote "mental"
and "nonmental" respectively. I will discuss the latter first.
As this text explains, it consists in physical cleansing processes called
dhauti, comprising the following techniques:
1. antar-dhauti ("inner cleansing") consisting of the
following four techniques:
(a) vata-sara ("air process"), which is done by inhaling
through the mouth and expelling the air through the lower passage;
(b) vari-sara ("water process"), which is done by sipping
water until the stomach is completely filled and expelling it through
the lower passage;
(c) vahni-sara ("fire process"), which is done by pushing
the navel one hundred times back toward the spine, which increased the
"gastric fire";
(d) bahish-krita ("external action"), which is done
by sucking in air through the mouth until the stomach is filled, retaining
it for ninety minutes, and then expelling it through the lower passage;
this is followed by one's standing in navel-deep water and pushing out
the lower intestinal tract for cleansing;
2. danta-dhauti ("dental cleansing"), which includes
cleaning the teeth, the tongue, as well as the ears and frontal sinuses;
3. hrid-dhauti ("lit. "heart cleansing"), which
consists of (a) introducing the stalk of a plantain, turmeric, or cane
into the throat to clean it out; (b) filling the stomach with water and
then expelling it through the mouth; (c) swallowing a long strip of thin
cloth and then pulling it out again (a process called vāso-dhauti,
"cloth cleansing");
4. mula-shodhana ("rectal cleansing"), which is done
by means of turmeric, water, or the middle finger;
The samanu type of purificatory practice consists in breath control
"with seed" (sabīja), that is, with silent mantra
recitation. As the Gheranda-Samhitā (5.38-44) explains:
Seated on a seat, the yogin should assume the lotus posture.
Next he should place the guru etc. [in his body],6
as instructed by the guru, and commence with the purification
of the channels for purification through breath control. Contemplating
the seed-syllable (bija) of the air element, which is energetic
and of the color of smoke, the sage should inhale the air through the
lunar [channel, i.e., the left nostril], repeating the seed-syllable
sixteen times. Then he should retain it for sixty-four of repetitions
[of the seed-syllable] and exhale the air through the solar channel
[i.e., the right nostril] over thirty-two repetitions. Raising the fire
from the root of the navel [i.e., the kanda], he should contemplate
the glow associated with the earth element. Then, while repeating the
seed-syllable of the fire element sixteen times, he should inhale through
the solar channel [i.e., the right nostril]. Next, he should retain
the air for sixty-four repetitions and then exhale it through the lunar
channel [i.e., the left nostril] over thirty-two repetitions. Contemplating
the luminous reflection of the moon at the tipe of the nose, he should
inhale the air through the ida [i.e., left nostril] for sixteen
repetitions of the seed-syllable tham. Then, while contemplating
the nectar oozing [from the moon at the tip of the nose], he should
retain the air for sixty-four repetitions of the seed-syllable vam
and thereby cleanse the channels. Finally, he should firmly exhale for
thirty-two [repetitions] of the la-sound.
The seed-syllables mentioned in the above passage are the root sounds
associated with the four elements: yam for air, ram for
fire, lam for earth, and tham for the visualized moon, which
stands for the water element in its higher aspect as the nectar of immortality
(amrita). The common seed-syllable for water is vam. The
fifth element, "quintessence," is ether whose seed-syllable
is ham. Although this is not mentioned in the quoted passage, oral
transmission takes the ether element into account as well.
Thus the renowned Hatha-Yoga master B. K. S. Iyengar has explained the
connection between breath control and the elements as follows:
In our body we have five elements. The element responsible for production
of the elixir of life (prana) is earth. The element of air is used as
a churning rod, through inhalation and exhalation, and distribution
is through the element of ether. Ether is space, and its quality is
that it can contract or expand. When you inhale, the element of ether
expands to take the breath in. In exhalation, the ether contracts to
push out toxins.
Two elements remain: water and fire. If there is a fire, water is used
to extinguish it. This gives us the idea that fire and water are opposing
elements. With the help of the elements of earth, air and ether, a friction
is created between water and fire, which not only generates energy but
releases it, just as water moving turbines in a hydroelectric power
station produces electricity. To generate electricity, the water has
to flow at a certain speed. An inadequate flow will not produce electricity.
Similarly, in our system, normal breathing does not produce that intense
energy. This is why we are all suffering fro stress and strain, causing
poor circulation which affects our health and happiness. The current
is not sufficient so we are merely existing, not living.
In the practice of pranayama, we make the breath very long. In this
way, the elements of fire and water are brought together, and this contact
of fire and water in the body, with the help of the element of air,
releases a new energy, called by yogis divine energy, or kundalini shakti,
and this is the energy of prana.7
Other texts recommend similar procedures in which the left and the right
pathway of the life force are alternately activated. According to the
Shiva-Samhita(3.26-28), alternate breathing should be performed
twenty times four times a day-at dawn, mid-day, sunset, and mid-night.
If done regularly for three months, this procedure, we are told, will
definitely cleanse the channels. It is only then that the practitioner
should turn to breath control proper.
The Shiva-Samhitā (3.31-32) also states that when the nadis
have been purified, certain signs will manifest: The body becomes harmonious
(sama) and beautiful, and emits a pleasant scent, while the voice
becomes resonant and the appetite increases. Also, the yogin whose
subtle pathways are thoroughly cleansed is always "full-hearted,"
energetic, and strong. The Hatha-Yoga-Pradīpika (2.19) mentions
leanness and brightness of the body as indications of a purified nadi
system. Now the practitioner is like a finely tuned instrument and ready
to engage the higher processes of Tantra, leading to the activation of
the serpent power. As outlined in the previous chapter, these processes
range from breath control to complex rituals and visualizations, which
will be discussed in more detail in subsequent chapters. But first I must
introduce the concept of the serpent power, which is at the core of Tantra-Yoga.
Awakening the Goddess Energy
As we have seen, the universe is a manifestation of the play, or transcendental
polarization, between Shiva and Shakti, God and Goddess, Being and Becoming,
Consciousness and Energy. In the human body, which microcosmically replicates
all cosmic principles and levels of existence, the divine Energy expresses
itself in two principal forms-the life force (prana) and the serpent
power (kundalini-shakti).
The life force is universally present in the cosmos and as such is known
as mukhya-prana or "primary life force." It assumes the
following five functional aspects in connection with the human body, which
the ancient Chandogya-Upanishad (2.13.6) styles the "gate
keepers of the heavenly world":
1. prana, in the sense of the ascending vital energy that is chiefly
located in the area between the navel and the heart and is linked particularly
with inhalation but can stand for both inhalation and exhalation;
2. apana, which is the descending vital energy associated with
the the lower half of the trunk and with exhalation;
3. vyana ("through-breath"), which is the vital energy
circulating in all the limbs;
4. udana (lit. "up-breath"), which is connection with
physiological functions such as speech and eructation, but also the ascent
of attention into higher states of consciousness;
5. samana (lit. "mid-breath"), which is localized in
the abdominal region where it is connected with the digestive process.
In addition to the above principal types of life force, some scriptures
also know of five secondary types (upaprana), namely naga
(lit. "serpent"), kurma ("tortoise"), kri-kara
("kri-maker"), deva-datta ("God-given"),
and dhanam-jaya ("conquest of wealth"), which are respectively
associated with vomiting (or eructation), blinking, hunger (or sneezing),
sleep (or yawning), and decomposition of the corpse respectively.
From a yogic perspective, the two most important forms of the vital energy
are prana and apana, because they are the subtle realities
underlying the flow and the ebb of breathing. Breath control directly
impacts on the ascending and descending current of the life force, which
naturally alternates-roughly every eighty minutes-between the channel
on the left (called ida) and the one on the right (called pingala)
of the central pathway.8 The ultimate purpose of breath control
is to activate the flow of prana through the central passage, which
then draws the much more powerful energy of the kundalini into
it.
What exactly is the kundalini? In answering this question, I will
take my cue from Sir John Woodroffe who pondered it as long ago as 1918.9
As he noted, the divine Energy is polarized into a static or potential
form (called kundalini) and a dynamic form (called prana).
The latter is responsible for maintaining all the life processes that
make embodiment possible. The former is the infinite pool of Energy coiled
into potentiality at the base of the central pathway, in the lowest psychoenergetic
center. This cakra is the normally closed plug-hole to the infinite
storehouse of Energy (and Consciousness).
In his voluminous work Tantra-Āloka (chapter 3), the great Tantric
master Abhinava Gupta distinguishes between the purna-kundalini, urdhva-kundalini,
and. urdhva-kundalini. The first is the divine power as the Whole
or Plenum (purna); the second is the divine power in its manifestation
as life energy; the third is the divine power as the awakened serpent
moving upward (urdhva).
By means of the kinetic energy of prana, which is freely available
in the body and its environment, the yogin can tap into the energetic
matrix, the Goddess Power, itself. The psychoenergetic center at the base
of the axial channel corresponds to the lowest level of manifestation.
It is the terminal point of cosmic evolution, as powered by Shakti. Here
the Goddess comes to rest in the earth element. Far from having exhausted
itself, this supreme Power now simply exists as sheer potentiality awaiting
its reawakening through conscious action. The Sanskrit texts speak of
the kundalini as being "coiled up" three and a half times
around the linga, the "sign" of Shiva. The coils have
been taken to refer to the ground of nature (prakriti) and its
three primary constituents or qualities-sattva, rajas, and tamas.10
This notion may be related to the Vedic teaching of Vishnu's three steps
by which he crossed the entire universe. Only a being greater than the
universe can traverse it in this manner. In the case of the serpent power,
this transcendence is suggested by the extra half a coil. The name kundalini
actually means "she who is coiled" and is related to the word
kundala denoting the kind of "earring" worn by some practitioners
of Hatha-Yoga, notably members of the Kanphata sect. Some texts shorten
the word to kundalī, while others use the term kutilangi
("crooked-bodied"). The coils of the kundalinī graphically
convey the notion of potentiality. For the same reason, the Sharada-Tilaka-Tantra
(15.62) refers to the serpent power as a "lump" (pinda).
We can understand the evolutionary process from the transcendental plane
to the earth realm through an analogous model furnished by modern cosmology.
At the "time" of the Big Bang, the world existed in a state
of unimaginably condensed ball of energy, sometimes called "quantum
vacuum." Suddenly (and for no known reason), some fifteen billion
years ago, a chain reaction occurred in this original high-energy soup
which led to the creation of hydrogen atoms. This event coincided with
the emergence of space and time and the gradual formation of our spatio-temporal
universe, with its billions of galaxies, supernovas, black holes, and
quasars, and the cold dark matter interspersed between them. Within this
unimaginable vastness are planet Earth and the human species-both products
of the original flash from chaos to cosmos or, in Indian terms, of Shiva's
ecstatic dance.11
Now scientists are busy exploring ways of freeing up the energy stored
in matter by smashing high-energy subatomic particles into protons. The
yogins are engaged in a parallel operation in the laboratory of
their own body-mind. They use the vital energy to repeatedly "smash"
against the blocked opening of the central pathway of the nadi
system. The Goraksha-Samhita (1.47-51) describes this process very
clearly:
The serpent power, forming an eightfold coil above the "bulb"
(kanda), remains there all the while covering with its face the
opening of the door to the Absolute.
Through that door the safe door to the Absolute can be reached. Covering
that door with her face, the great Goddess is asleep [in the ordinary
individual].
Awakened through buddhi-yoga12 together with [the
combined action of] mind and breath, she rises upward through the sushumna
like a thread through a needle.
Sleeping in the form of a serpent, resembling a resplendent cord, she,
when awakened by the Yoga of fire [i.e., mental concentration and breath
control], rises upward through the sushumna.
Just as one may forcibly open a door with a key, so the yogin
should break open the door to liberation by means of the kundalini.
Vimalananda, a contemporary master of the Aghorī branch of Tantra, similarly
remarked that in order to arouse the kundalini, one must put pressure
on it, and it will ascend only so long as this pressure is kept up.13
Perhaps tongue in cheek, he blamed gravity for its inclination to rest
in or, if awakened, return as quickly as possible to the lowest psychoenergetic
center of the body. In the Hatha-Yoga-Pradīpika (3.111-112), we
find the following stanzas:
One should arouse that sleeping serpent by seizing its tail. Then that
shakti, awakening from her slumber, forcefully rises upward.
One should seize the reclining serpent by means of paridhana14
and, while inhaling through the solar channel, every day cause her to
stir for about ninety minutes, both morning and evening.
The practice mentioned here is known as shakti-calana ("stirring
the power"). It is done by contracting the sphincter muscle and by
applying the throat lock (jalandhara-bandha) while holding the
breath, which causes the prana and apana to mix and "combust,"
thereby driving the life force upward into the central channel. Manthana
("churning") is another term used in the texts to describe the
process of forcing prana and apana to "combust"
by means of breath retention (kumbhaka) and most intense concentration.
The Kashmiri yogini Lalla hints at this process in one of her mystical
poems:
Closing the doors and windows of my body, I seized the thief, prana,
and shut him in. I bound him tightly inside the chamber of my heart,
And lashed him hard with the whip om.15
I pulled the reins of the steed of the mind; I compressed the life
force circulating through the ten channels; Then, indeed, did the lunar
particle (shashi-kalā) melt and dissolve, and the Void merged
with the Void.16
Concentrating on the om-sound, I made my body like blazing coal.
Leaving behind the six crossroads, I travelled the path of Truth. And
then I, Lalla, reached the Abode of Light.17
The earlier image of seizing the serpent by the tail is characteristic
of the forceful (hatha) approach of Hatha-Yoga. Some traditional
authorities might find it disrespectful to speak of the divine Shakti
in this manner, while others would object to the idea that one can coerce
the Goddess and obtain her liberating grace by mechanical means.
All are agreed, however, that the serpent energy must ascend along the
central pathway, which is also called the "great path" (maha-patha)
and "cremation ground" (smashana) because it alone leads
to liberation. In keeping with this typically Tantric symbolism, the Gheranda-Samhita
(3.45) specifies that the yogin engaged in this esoteric practice
should besmear his body with ashes, which is an outward sign of his internal
renunciation of all worldly things and desires. The adept who seeks to
arouse the kundalini must be prepared to die, because this process
quite literally anticipates the death process. As the serpent power rises
along the central passage, the yogin's microcosm is gradually dissolved.
I will deal with this process shortly, though first I want to mention
Abhinava Gupta's concept of prana-danda-prayoga or the "process
of making the life force like a rod (danda)."
A cobra is dangerous only when it is coiled, ready to strike in an instant.
However, when its body is completely erect it is quite harmless. Similarly,
the kundalini is dangerous only in its form of the diffuse life
energies, which fuel the unillumined person's hankering for sensory and
sensual experiences, entangling him or her ever more in worldly karmas.
When the serpent power is erect, however, it is not poisonous but a source
of ambrosia, because it is erect only when it has entered the central
pathway leading to liberation and bliss. As Jayaratha explains in his
commentary on the Tantra-Āloka (chapter 5, p. 358), when one strikes
a serpent it draws itself up and becomes stiff like a rod. Similarly,
through the process of "churning," the kundalini stretches
upward into the perpendicular pathway of the sushumna, reaching
with its head for the topmost psychoenergetic center.
The ascent of the Goddess power in the body is associated with the progressive
dissolution of the elements-a process that is called laya-krama
("process of dissolution") or laya-yoga ("discipline
of dissolution"). In the present context, the technical term laya
refers to the resorption of the elements into the pretemporal and prespatial
ground of nature (prakriti-pradhana). That this esoteric process
has often been misunderstood can be gathered from the following comments
in the Hatha-Yoga-Pradīpika (4.34):
They say "laya, laya," but what is the nature of laya?
Laya is non- remembrance of the sense objects because the tendencies
(vāsanā) do not arise again.
This stanza from the pen of the adept Svatmarama indicates that the yogic
process of microcosmic dissolution brings about a dramatic change in the
mind, for it wipes clean karmic seeds stored in the subconscious. This
is the purpose of all higher processes of Yoga, for only when the karmic
seeds are burnt completely is their future germination rendered impossible
and liberation ensured. But Svatmarama's comments do not tell us how this
Tantric process actually occurs. The Tantras are little more communicative
on this point, which is one of the many experientially based truths of
Tantra-Yoga.
In principle, laya is effected as the kundalini rises from
center to center. Its arrival causes each center to vibrate intensely
and to function fully, but as it goes to the next higher psychoenergetic
center, the departure of the Goddess power leaves the previous center
or centers as if void. The reason for this is that at each center, Shakti
works the miracle of a profound purification of the elements (called tattva),
rendering them extremely subtle. More precisely, their vibration is speeded
up to the most subtle level of nature (prakriti), and hence they
are said to have become reabsorbed into the cosmic matrix. The intelligent
Goddess power henceforth-or at least for the period of kundalini
arousal-takes over their respective functions.
This esoteric process is the basis for the bhuta-shuddhi ritual
in which the elements are visualized as being purified through their progressive
absorption into the divine Shakti. This practice is done prior to visualizing
oneself as one's chosen deity (ishta-devata) and doing ritual worship.
The earth element governs the area between the feet and the thighs; the
water element has authority over the area between the thighs and the navel;
the fire element rules the zone between the navel and the heart; the air
element is reigns over the section between the heart and the forehead;
the ether element governs the area above the forehead. The practitioner
visualizes earth dissolving into water, water into fire, fire into air,
air into ether, and then ether into the higher principles (tattva)
until everything is dissolved into the Goddess power itself.
Thus the yogin starts out as an impure being (papa-purusha)
and through the power of visualization recreates himself as a pure being,
a worthy vessel for the divine Power. Through the kundalini process,
this visualized pure body-mind then becomes actuality, for the ascent
of the serpent power through the axial pathway of the body recapitulates
the mental process of bhuta-shuddhi, literally changing the body's
chemistry. Through repeated practice of kundalini-yoga, the Tantric
adepts succeed in speeding up the vibration of their body permanently,
leading to the creation of the much-desired "divine body" (divya-deha).
The language of vibration is by no means modern but is integral to the
vocabulary of Tantra, particularly the Tantric schools of Kashmir. The
idiom of vibration has been developed in great detail by the philosopher-yogins
of the Spanda school. According to them, everything is vibration-the elements,
their subtle templates, the sense objects, the life force, the cakras.
Even the ultimate Shakti itself is vibratory in nature, though its vibration
is, in contemporary terms, "translocal." The Spanda thinkers
speak of this as a "quasi-vibration." But they insist that we
must assume the transcendental Shakti to be dynamic, as otherwise there
is no plausible explanation for the existence of the world or the fact
that it is constantly changing. An analogous concept, which it might be
helpful to evoke here, is physicist David Bohm's "holomovement, "
which is essentially undefinable and immeasurable.18 This coinage
refers to the ultimate foundation of all "implicate orders, "
that is, the multiply enfolded reality mirrored in each of its parts.
Similarly, the kundalini is the ultimate, translocal vibration-Shakti-impacting
more directly on the space-time continuum in the form of the yogin's
localized body-mind. Its supervibration radically transmutes the constituents
of the body-mind, ultimately creating a divinized body (divya-deha)
endowed with extraordinary capacities that transcend the laws of nature
as we know it.
The earth element, which is connected with the lowest psychoenergetic
center, is dissolved into its energetic potential of smell (gandha-tanmatra).
This is conducted by the rising kundalini to the second psychoenergetic
center, where the Goddess power next dissolves the water element into
its energetic potential of taste (rasa-tanmatra). This subtle product
is elevated to the level of the psychoenergetic center at the navel. Here
the kundalini transmutes the fire element into its energetic potential
of sight (rupa-tanmatra). This distillate is then taken to the
level of the heart center where the kundalini effects the transmutation
of the wind element into its energetic potential of touch (sparsha-tanmatra).
This subtle form of the wind element is next raised to the level of the
throat center where the kundalini refines the ether element into
its energetic potential of sound (shabda-tanmatra). This product
of yogic alchemy is conducted to the level of the ajna-cakra in
the middle of the head, and here the lower mind (manas) is dissolved
into the higher mind (buddhi), which, in turn, is dissolves into
the subtle matrix of nature (sukshma-prakriti). The final phase
of dissolution occurs when the serpent power reaches the topmost psychoenergetic
center, when the subtle matrix of nature is dissolved into the para-bindu,
which is the into the supreme point of origin of the individuated body-mind.
Dissolution (laya) is fundamental to Tantra-Yoga. Hence we can
read in the Kula-Arnava-Tantra (9.36):
Ten million rituals of worship equal one hymn; ten million hymns equal
one recitation [of a mantra]; ten million recitations equal one
meditation; ten million meditations equal a single [moment of] absorption
(laya).
Thus, in her ascent toward the crown center, the kundalini-shakti
invigorates the various cakras and then causes them to shut down
again. But this shut-down differs from the earlier state of minimal function
in the ordinary person. For, the cakras of the adept are no longer
closed down because of impurities (or karmic obstructions) but because
their energy has been transmuted.. Hence when the kundalini returns
to its resting-place at the base of the spine, the cakras resume
their respective functions but in a far more integrated or harmonious
way.
As soon as the kundalini pierces the center in the mid-brain-the
ajna-cakra-she assumes a new form of existence and becomes cit-kundalini
or the "serpent of Consciousness." This event is accompanied
by the great bliss of nondual realization. This bliss, arising from the
union of the Shakti with Lord Shiva, extends throughout the body while
yet transcend ing it.
Along the route, the ascending kundalini may produce all kinds
of physiological and mental phenomena, which are all the result of incomplete
identification with the Goddess power and a certain attachment to the
body. The Tantras mention startled jumping (udbhava or pluti),
trembling (kampana), whirling sensation (ghurni), drowsiness
(nidra), as well as ecstatic feelings (ananda) that are
not, however, of the same magnitude or significance as the supreme bliss
of transcendental realization.
The ascent of the serpent power through the six principal "wheels"
of the body is technically called shat-cakra-bhedana or "piercing
the six centers." This curious expression is explained by the fact
that in the ordinary individual, the cakras are undeveloped and
more like knots (granthi) than beautiful lotus flowers. The awakened
kundalini breaks them open, disentangles their energies, vitalizes
and balances them. Three of the cakras represent a particular challenge
to the yogin. Thus the Tantric and non-Tantric scriptures mention
three knots at the base of the spine, the throat, and the "third
eye." They are called brahma-, vishnu-, and rudra-granthi
respectively, after the deities Brahma, Vishnu, and Rudra (= Shiva).
The goal of Tantra is to have the kundalini remain permanently
elevated to the topmost psychoenergetic center, which state coincides
with liberation. At the beginning, however, the kundalini will
tend to return to the cakra at the base of the spine, because the
body-mind is not yet adequately prepared. Therefore the practitioner must
repeatedly invite the Goddess power to unite with her divine spouse, Shiva,
at the top of Mount Kailasa, that is, in the sahasrara-cakra. This
will gradually remove the karmic inclination toward identifying with the
body-mind rather than Shiva-Shakti as one's ultimate identity. In Kashmiri
Tantra, this ever-blissful transcendental identity is called aham
("I") versus the finite ego (ahamkara, "I-maker"),
which is driven by the desire to maximize pleasure and minimize pain and
yet continuously sows the seeds of suffering.
Tantra-Yoga aims at dissolving the illusion of being a separate finite
entity, and it does so by means of the union of the kula-kundalini
with the transcendental principle of akula, or Shiva. When this
is accomplished there is nothing that is not realized as utterly blissful.
Even the body, previously experienced as a material lump (pinda),
is seen to be supremely conscious and suffused with the nectar of bliss
and at one with all other bodies and with the universe itself.
Under the influence of Shakti, the body's chemistry starts to change
and looks transfigured to the eyes of outside observers. It becomes increasingly
radiant, manifesting the supreme Consciousness-Bliss (cid-ananda).
The Tantric adept literally becomes a beacon of Light in the world.
Notes
1 G. Krishna, Kundalini: Evolutionary Energy in Man (London:
Robinson & Watkins, 1971), p. 54. This edition has an excellent psychological
commentary by James Hillman.
2 Ibid., p. 62.
3 Ibid., p. 65.
4 L. Sannella, The Kundalini Experience (Lower Lake, Cal.: Integral
Publishing, 1992), p. 31.
5 Hatha-Yoga-Pradīpikā 3.107.
6 This is the practice of nyasa.
7 B. K. S. Iyengar, The Tree of Yoga (Boston, Mass.: Shambhala,
1989), p. 127.
8 This alternation can easily be tested, because it opens the left and
the right nostril respectively, with a short period of free flow through
both nostrils. It is possible to change the flow simply by putting pressure
on the armpit of the side that one wants to activate. The flow of vital
energy is also used for diagnostic and divinatory purposes, and this craft
is known as svarodaya-vijnāna ("knowledge of the rising of
the sound [of the breath]").
9 See Arthur Avalon (Sir John Woodroffe), Shakti and Shākta (New
York: Dover Publications, 1978), pp. 694ff. This volume was first published
sixty years earlier.
10 See, e.g., the Shāradā-Tilaka-Tantra (25.78). Sometimes eight
coils are spoken of, and various explanations have been given for them.
11 Interestingly, the common Sanskrit name for the ultimate Reality
is brahman, which is derived from the verbal brih meaning
"to grow." In the Upanishads, the world is described
as emerging out of the indescribable, unqualified brahman, which affords
a parallel to the Big Bang model of creation. The original quantum vacuum
or foam is also indescribable, sincelike the brahman-it transcends
space and time; yet out of it sprang in logical sequence the entire universe.
12 Buddhi-yoga can mean "mental discipline" or, more
specifically, "unitive discipline by means of the higher mind."
13 See R. E. Svoboda, Aghora II: Kundalini (Albuquerque, N.M.:
Brotherhood of Life, 1993), p. 72.
14 The use of the term paridhāna in the present context is curious.
It means "putting on" or "surrounding" and here is
meant to convey the idea of agitation. Some commentators understand it
as a synonym for naulī, which is performed by rolling the abdominal
rectus muscles clockwise and counterclockwise.
15 This is poem 31 in the edition by B. N. Parimoo, The Ascent of
Self (Delhi: Motilal Banarsidass,1978).
16 This is poem 42 in B. N. Parimoo, op. cit.
17 This is poem 53 in B. N. Parimoo, op.cit.
18 See D. Bohm, Wholeness and the Implicate Order (London: Routledge
& Kegan Paul, 1980), pp. 150ff.
This essay is reproduced here with slight changes from
Tantra: The Path of Ecstasy (published by Shambhala Publications
in 1998).
@ Copyright 2003 Georg Feuerstein
Reproduced from www.yrec.org with the author's permission.